Toshio Ozaki (
sotobas_lot) wrote2012-02-20 12:36 pm
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[Real Life with DM and BRS]
[He's re-watched the tapes. Their interruption is a moment now permanently on video. His wife's actual death is, too, but he doesn't have the technology to merge VHS with some digital video format into one place.
In the end doesn't this black and white mess look like some college film student's horror project? That's what he thought of even the technicolor displays on the community at first.
It probably wouldn't convince anyone without physically present, tangible proof, like a cold, moving body.
Then again, his wife's disappearance, without a funeral, might turn them on him; they could think he was the mastermind behind everything. He was very good at failing to save them. If they had wanted to control the doctor of the town, they would have puppetted him exactly as he'd acted; concerned, desperate, but ineffective. The difference was that if he did it himself, he could do it in the day time.
But he's not suicidal, and he's not that ready to throw away everything, even if he seems ready to throw in the towel. Making himself a mastermind and revealing a false plan to get the town into a flurry that would probably only get them all killed isn't appealing beyond a self indulgent fantasy of ruining things for everybody.
That's... an unsettlingly Kefka-like thought. Disgusting.
He needs get get out. He can still walk in the sunlight for a little longer. Dead Master is here. So he, at least, will probably always be safe. The question is in what kind of world. Even going out into the village, there won't be much of anybody left to meet, and the mood won't be cheerful.
Still, he can't bring himself to talk to anybody in the house. His mother's a difficult woman even without her rants about supposing his wife ran away back home at a time like this, just because she was feeling ill. It was his own cover story, so he had to live with it, but... It was going to be found out eventually.
Everything felt like a ticking time bomb.
Then there was Dead Master.
She stopped him. He'd look like the villain here, he had said. He's hesitated too much; now she could take the blame as part of that party.
No. That wasn't what was uncomfortable.
She...
Never mind.
Just walk. Just get out for a little while.]
In the end doesn't this black and white mess look like some college film student's horror project? That's what he thought of even the technicolor displays on the community at first.
It probably wouldn't convince anyone without physically present, tangible proof, like a cold, moving body.
Then again, his wife's disappearance, without a funeral, might turn them on him; they could think he was the mastermind behind everything. He was very good at failing to save them. If they had wanted to control the doctor of the town, they would have puppetted him exactly as he'd acted; concerned, desperate, but ineffective. The difference was that if he did it himself, he could do it in the day time.
But he's not suicidal, and he's not that ready to throw away everything, even if he seems ready to throw in the towel. Making himself a mastermind and revealing a false plan to get the town into a flurry that would probably only get them all killed isn't appealing beyond a self indulgent fantasy of ruining things for everybody.
That's... an unsettlingly Kefka-like thought. Disgusting.
He needs get get out. He can still walk in the sunlight for a little longer. Dead Master is here. So he, at least, will probably always be safe. The question is in what kind of world. Even going out into the village, there won't be much of anybody left to meet, and the mood won't be cheerful.
Still, he can't bring himself to talk to anybody in the house. His mother's a difficult woman even without her rants about supposing his wife ran away back home at a time like this, just because she was feeling ill. It was his own cover story, so he had to live with it, but... It was going to be found out eventually.
Everything felt like a ticking time bomb.
Then there was Dead Master.
She stopped him. He'd look like the villain here, he had said. He's hesitated too much; now she could take the blame as part of that party.
No. That wasn't what was uncomfortable.
She...
Never mind.
Just walk. Just get out for a little while.]
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Of course, this new development with Shooter provides somewhat of a welcomed distraction from the happenings in Sotoba, despite the emergency circumstances of her appearance. The only other world Shooter has been to is Yuri's afterlife; it is about time the girl is shown a world filled with the living. Minus the shiki. While not roaming the forests or on some specific interest to observe shiki activity, walking Sotoba's streets is something she has done quite often. For better or for worse, Dead Master has grown fond of this village, and she would like to show Shooter this town during the day. ] The population may have been
first arrived.
[ That number is much less now. It's almost an embarrassment to say this to Shooter, when she knows she could have done better. The village is almost as bleak and empty as some of the towns the souls in the Otherworld construct. ]no subject
despite the circumstances that brought her here, she's genuinely glad to finally be able to visit the human world. admittedly she'd been expecting crowds and high buildings- things she had seen in Mato's memories. this is fine too, though.
Shooter just nods in response to Dead Master's note of the population. it's something she can ask more about later. for now, she just wants to relax and sightsee.]
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It's gotten more difficult to talk to people.
There's still Seishin. It's been... a few weeks, at least.
Usually it's Seishin who comes over; or rather, when they fight, it's always he who has to come over first, forgiving without himself ever having to go through asking for an apology first.
Seishin probably would have helped him. Seishin thought of big pictures. Right? He's not sure if that's better or worse.
That's when he spotted them; they stand out in the village, stark black and white, monochrome girls against a sepia town, like a modern work of art.]
Ah... [He'll approach hesitantly; as easy as it's been to ignore each other in the same house, the same way it's easy to ignore the neighbor's business even in a small town, this is probably something he shouldn't ignore. There's a visitor to the town, after all.
He'll address Dead Master first before shifting his gaze to the unfamiliar girl; he doesn't really have it in him to think to force a social smile these days, so it's a look more analytical than anything. It'd be easy to lump in with the judging, untrusting stares of the more conservative villagers.] ...Somebody from your home?
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Her expression settles from surprise to acknowledgement to nothing. how easily it is for her smile to disapper when she sees him. amazing how they got this far. she wonders if he's noticed. ] Yes. [ ...or maybe she shouldn't keep the conversation short. ] A day ago,
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Shooter.
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Did something happen in your world?
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more likely he's trying to make conversation. strange how he's going through the effort now of all times. maybe he really was not up for working today? ] More fighting,
for us,
at the moment.
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she'll be facing the soul with Dead Master this time, at least. and they'll know what to expect from it. but it doesn't stop that unfamiliar feeling- is it fear?- from worrying at her.
she doesn't say anything else, eyes wandering to take in the sights around her.]
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But of course she can't. She's from there. That kind of thing must be normal; after all, she's here now, completely uninjured.
He sighs, running a hand through his hair.]
Listen. I know that fighting's something that people do for reasons... [But how to put this; he's not close enough to her to say he doesn't see anything she has to fight for. He's been safely avoiding her like the plague--or rather, he's gone after plagues more ambitiously than he's been able to approach her.] ... but are you going to go back home because there's something you have to fight for or because you haven't considered making "home" someplace safe instead of making a safe place a temporary refuge?
[That still seems like such a vague way of putting it.]
You do know that you can stay here, don't you? With whoever you want, as long as they're not dangerous.
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this sort of thing happened all the time. the girls fought each other, or the souls, and somebody would always be destroyed in the end. it's just what they're meant to do. be.
still, as much as she wants to live in the human world and leave behind the violent reality she came from, she can't abandon her duty of handling the stagnated souls. it's really the only thing that keeps her bound to the Otherworld.]
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Well... [Time for another cigarette, a defeatist tone. Maybe there's a good reason she's refusing after all. Things aren't necessarily relaxing here, and for reasons that may have nothing to do with the Shiki.
Communication is awkward between them. He's not really pleasant company, is he? Even if they avoid each other, that's another form of stress, the constant awareness without contact.] ...I guess you probably don't feel like you can really rest here, either.
But you brought her here for refuge you said. So it must be at least a little better for now.
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it's a question puzzling enough to let his condescending tone slide right by her. any other time it would have bothered her. the only reason she must have come here is because she felt safe her. she could relax. so she may like the world of the living better than her world. is that being selfish, when she should be tending her duty back in her world? there must be something more. it was a place for her to rest- even if they did not need to for anything other than recovery. she almost sighs.] No, no...
most welcome.
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/jumping in here
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... The village is, uh, pretty. [what is smalltalk]
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eating the golden apple.
[ she knows Shooter's been watching the community; but Ozaki hasn't- or at least she doesn't think he has. he'd need a warning.also, Shooter, if you don't want yours, she'll take it away. ]
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Caught up in those thoughts, he watches what he can only deem as Dead Master silently pressuring the other girl to talk.
Somebody more reclusive and difficult to speak to than her.
Just what sort of company is he trying to keep, here?]
Ah.... Is it? [His voice seems to rise almost submissively in pitch, trying just as hard as she is for small talk.] It doesn't really suit the tastes of most girls your two's age, so that's surprising to hear... Ha... ha....
[Ohthankgod, apple talk. Whatever it is and however dangerous it is, it's geared towards a specific topic.] The one with the parting note? I don't think most people would take a bite of something as cryptic as that even without knowing the community...
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second thought to eating it.
[ girls their age. she doesn't even know her own age. for how she appears, all she can say is that she seems to look older than Yomi by a few years. ] Although I do wonder-I have ever seen you under
Ozaki Toshio,
I will take it.
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It seems the community's been pretty quiet with them for a while. It's embarassing to say as a former part of what was once the research team, but the dead girl may be doing better fighting it off with cookies and costume parties than months of our data collecting had been able to manage... But, by all means, if you have a use for it...
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Kefka at all?
[ she probably shouldn't be bringing up that situation. but she hardly speaks with him, so she may as well ask now before he disappears into his clinic for who knows how long. ][ ooc: she'll certainly be taking that apple then wherever he placed it. she'll be using it, too. for research purposes. ]
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At any rate, it seems that I'm the villain in the people's eyes, now...
[The apple is right on his desk; he's not exactly worried about any nursing staff or such taking it. They're not stupid enough to pick up and eat any old strange object.]
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a villain at all,
if you wish to protect others. [ not that he ever wished to protect his own wife. but that's beside the point, right? besides- ] You did not killno subject
[if you were trying to protect him, you're not a villain, Dead Master.]
[Shooter still doesn't say anything, though it's more out of how she usually is than unfamiliar awkwardness now.]
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Shooter, your words are reassuring. ]
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what else are we going to do here in the meantime?]
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I may show Shooter, or
what we may do